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Sound design that disappearsinto the story — and scorethat doesn't.

Independent sound designer and composer for film, games, and advertising — brought in when the picture needs a heartbeat, not just a soundtrack.

Now mixingAn A24 feature, final dub
Now scoringAn indie game about grief
12Features scored
18Games shipped
140+Campaigns mixed
11Years behind the desk
LIVE SIGNAL48kHz / 24-bit

Nadia KesslerSound Designer & Composer
Dubai, UAE — sessions worldwide

The reel

Six sessions worth pressing play on. Tap a title for the notes.

  1. 01Hollow OrbitFeature Film2025

    A sci-fi thriller scored entirely on modular synth — no orchestral samples.

    Sound Design & Original Score
  2. 02Nightshade ProtocolAAA Game2024

    120+ adaptive music states reacting to player stealth and combat.

    Adaptive Score & Foley
  3. 03Ember & AshShort Film2024

    Festival-selected short — sound built entirely from field recordings.

    Sound Design
  4. 04AureliaIndie Game2023

    A hand-played, deliberately imperfect score for a game about grief.

    Original Score
  5. 05GlasshouseDocumentary2023

    Feature documentary score mixed for both cinema and podcast release.

    Score & Mix
  6. 06VergeGlobal Ad Campaign2022

    A five-note sonic logo now running across 40 markets.

    Sonic Branding

Credits

Roll call — every project, in order of appearance.

ComposerHollow OrbitFeature Film — Meridian Pictures2025
Sound DesignerNightshade ProtocolAAA Game — Obsidian Interactive2024
Sound DesignerEmber & AshShort Film — Dir. Priya Menon2024
ComposerAureliaIndie Game — Kettle & Vine Games2023
Composer & MixerGlasshouseDocumentary — Meridian Docs2023
Sonic Branding LeadVerge CampaignGlobal Ad — Halo & Wren Agency2022
Additional ScoreLow TideFeature Film — Northbound Films2021
Sound DesignerStatic BloomIndie Game — Paper Cut Studio2020

Frequencies

The tools running under every session, tuned by years of use.

Pro Tools96%
Ableton Live90%
Wwise88%
FMOD82%
Dolby Atmos Mixing85%
Foley Recording92%
Orchestral Composition80%
Sonic Branding89%

Sessions

Voice memos, transcribed — what people say after the mix is locked.

00:04

She turned in a score that made our test audience cry in a scene that had no dialogue at all. That's the whole job, done right.

Owen MarshDirector, Hollow Orbit
00:11

Most composers write to the build we send them. Nadia asked for the design docs and scored to the mechanic, not the trailer. The adaptive score still holds up two years later.

Farah OseiCreative Director, Obsidian Interactive
00:07

We needed a sonic logo that worked in a 15-second cutdown and a silent Instagram Reel. She delivered both from the same five notes.

Julian ChoECD, Halo & Wren Agency

Contact

Booking Q1 sessions

Got a project that needs a heartbeat?

Tell me what you're building and where it stands — a rough cut, a build, a brief. I'll reply within two business days with whether it's a fit.

nadia@kesslersound.com